At the end of the spectrum
From KLF's The Manual (1988):
We await the day with relish that somebody dares to make a dance record that consists of nothing more than an electronically programmed bass drum beat that continues playing the fours monotonously for eight minutes. Then, when somebody else brings one out using exactly the same bass drum sound and at the same beats per minute (B.P.M.), we will all be able to tell which is the best, which inspires the dance floor to fill the fastest, which has the most sex and the most soul.
They wrote that twenty years ago.

how the apple music store works (from the perspective of a record label)

any comments, chilla?

This is Lukas Bergstrom's weblog. You can also find me on Twitter and LinkedIn.

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